Warhammer 40,000: Dawn of War Gold Edition
Games Workshop’s Warhammer 40,000 franchise (often abbreviated Warhammer 40k), like its predecessor and source of inspiration Warhammer Fantasy is rich in the lore and military diversity that Real-time Strategy games thrive on. It should come as no surpirse that Relic Entertainment’s RTS adaption of this universe, Warhammer 40,000: Dawn of War, is not only a superb rendition of this dark science fiction future but also a splendid RTS game overall. Dawn of War, and the first of its expansions Winter Assault (bundled together in the Gold Edition) brings the dystopian universe of Warhammer 40k to life with intense and bloody combat, superb visuals, and deeply immersive factions.
Dawn of War follows the basic RTS conventions of gameplay. Players start with a single command center (or equivalent) which produces workers and a basic military unit. These military units are used to capture strategic points, static markers around the map that passively generate one of the game’s two basic resources. Resource generation can be improved by constructing Listening Posts on these points once they are captured. Workers construct the various buildings that train and upgrade units and heroes as well as the generators that produce the second resource: plasma. Tier upgrades at the command center unlock more advanced buildings which in turn allow the construction of stronger units and vehicles.
Aside from workers, heroes, and vehicles, all units come out as squads with most squads starting at four units. Squads can be reinforced for an additional cost in resources up to a maximum that varies depending on the unit and the race (the hefty Space Marines have an average squad size of 8 while the numerous Orks can field squads as large as 14). Squads may additionally be upgraded with special weapons that can enhance the squad’s overall performance or make it more effective against one unit type versus another; as well as leader units that improve morale and combat effectiveness. Morale itself is a key factor in combat; units under fire take a steady morale loss. When morale drops to critical levels the squad ‘breaks’, an effect marked by red icons around the squad units, and loses most of its combat effectiveness. Most vehicles and some special units do not have the morale feature.
The Gold Edition features five playable factions: the Space Marines, Eldar, Forces of Chaos, and Orks of the base Dawn of War and the Imperial Guard from Winter Assault. These factions follow similar build styles and combat capability, although specifics like raising the population cap and which units can detect invisible squads do vary. The true differences lie in the offensive and defensive tactics represented in their units. Chaos and the Orks tend to be heavily melee focused with overwhelming numbers while the Elder and Space Marines are expensive, skilled combatants, with a strong emphasis on ranged combat. The Imperial Guard and Space Marines additionally are notable for being “Jacks of all trades” where their basic units are highly adaptable; the Orks, Chaos, and the Eldar often have to field many different unit types for a balanced force.
The single player campaign in Dawn of War follows one of these factions, the Space Marines, through a series of linear missions where the player faces the Orks, Eldar, and Chaos in an expanding plot about Chaos influence on the planet Tartarus. The missions are very well detailed and quite challenging allowing the player to experience the full extent of the Space Marine arsenal and the dynamics of their combat tactics against the other races. Yet while the story and experience are immersive and enjoyable the Space Marines are the only faction with a campaign, the other factions can only be used in skirmish and multiplayer.
This downside is solved somewhat in Winter Assault where every race, except the Space Marines in a very ironic design twist, gets a piece of another story based campaign of five missions divided between the order (Eldar and Imperial Guard) and disorder (Chaos and the Orks) teams where each factions attempts to gain control of an Imperial Titan super mech. Both campaigns begin with missions introducing the factions followed by a shared level where the player chooses which of the factions in their team they want to continue with (represented by a ‘falling out’ of the factions in game). The final mission takes place at the Titan regardless of which faction the player chooses; although the methods of victory differ.
The Winter Assault campaign is very flavorful and its highly interconnected missions give the player a strong sense of interactive narrative. Unfortunately the campaign’s very short duration and partial restriction on what factions are playable severely limits the opportunity the player has to engage and enjoy each faction. The highly enjoyable final mission, modified for each race, alleviates this shortchange to some degree but overall players will find Winter Assault’s replay-ability to be heavily dependent on their willingness to test the skirmish AI’s varying difficulty levels.
Upon its release in 2004 Dawn of War’s graphics and presentation were top of the line. Individual units are highly detailed and many feature very entertaining (and sometimes quite bloody) killing animations (in which the units are mercifully invulnerable to damage). Graphic detail also brings the faction flavor to life with numerous details like facial icons shifting and warping on Chaos buildings and goblin-like Gretchin crawling around the debris of Ork structures. All this detail does tax the video card to some degree and mid-line machines from the period (usually XP operating systems) may struggle with long skirmish and multiplayer games. Modern machines should have no trouble with large scale skirmish games. Dawn of War’s multiplayer is equally well done, with simple setup and connection interfaces that suffer few if any malfunctions on any connection capable of handling RTS play.
Dawn of War, Gold Edition features five levels of Skirmish AI difficulty which provide a decent challenge for players of all experience levels and, except for the hardest AI setting, do not appear to cheat. Multiplayer is even more entertaining with teamplay against the AI and player vs player matches providing ample opportunities to experiment with different faction strategies. Loading time for most multiplayer matches is more dependent on individual PC performance than shared internet connectivity and overall is quite fast allowing for multiple matches to be played over the course of a single session. The factions themselves naturally have some early game build patterns that can sideline the first five minutes into routine, but the unit trees are diverse enough to facilitate widely fluctuating combat scenarios throughout a session.
The Dawn of War Gold Edition is a very well designed strategy game with a rich plot, thematic and well balanced factions, and easily managed skirmish and multiplayer capabilities. While the single player is very linear and lacking in scope its missions and plot line are rich in flavor and abound with opportunities for intense combat. Resource and base management have been sidelined in favor of more detailed unit and army management leading to expansive and satisfying battles against the AI and other players. The graphics and UI options may seem somewhat dated by modern standards; but with the RTS market so sparsely populated gamers will be hard pressed to find a more satisfying RTS experience than Warhammer 40,000: Dawn of War.
The Lord of the Rings: The Battle for Middle Earth
Its inevitable that successful book, and to a greater degree film, franchise will spawn numerous titles in different media. The Lord of the Rings: The Battle for Middle Earth is not Electronic Arts’ first foray into J.R.R. Tokien’s Middle Earth but is certainly EA’s best. Following on the heels of Liquid Entertainment’s and Sierra Entertainment’s The Lord of the Rings: War of the Ring, The Battle for Middle Earth is the second real time strategy game to be set on Middle Earth during the War of the Ring and events of the Lord of the Rings trilogy. Unlike many previous game titles The Battle for Middle Earth is based exclusively off the interpretation of Peter Jackson’s Lord of the Rings film trilogy.
The Battle for Middle Earth takes a new approach to RTS play. Bases are now constructed from pre-located build slots in circular base layouts of varying sizes, each categorized by the number of building slots it provides (i.e. a stronghold provides six build slots while a citadel provides eight). Units are unlocked as their production centers level up through increased use. Most troop units come in groups, with five being standard for cavalry and human units while ten is more common for orcs. Upgrades are applied to each individual unit for a price and remain fixed, even if the unit suffers losses. Special powers, familiar to players of EA’s Command & Conquer Generals, make a comeback as special or passive abilities acquired by purchasing them from a tree that unlocks more options as the player purchases more powers. Power points are acquired through destroying enemy units and structures.
The power trees are divided between good and evil teams. In the campaign these are shared by the two factions that make up each team, but the trees are split in multiplayer with the factions sharing some powers but keeping others for themselves. The four playable factions are the great participants in the War of the Ring: Gondor, Isengard, Mordor, and Rohan. Good and Evil aligned factions share similar traits, for example only Good aligned factions can build walls and only Evil aligned factions have powers that boost their economic ability. In keeping with the thematic presentations of the films each faction features its own artistic style and for the most part possess unique unit and building trees. The designs are very flavorful and surprisingly well balanced. Some factions lack the diverse build options of others (Isengard is pretty one-dimensional and Rohan can only choose from six units) but their unique designs leave few holes for enemy teams to exploit.
The heroes of Middle Earth make an appearance as well. Seven of the Fellowship can be trained between Gondor and Rohan (only Sam and Frodo are restricted to the campaign), and these are supplemented by the royals of Rohan and Boromir’s brother Faramir. Heroes are a lacking aspect for the Evil team, with Isengard offering two and Mordor deploying three aerial Nazgul. These are powerful heroes, but far less flashy and unique than their good counterparts. This is not a design error so much as a thematic choice; the Evil factions are able to field a far greater amount of troops and unit types than the Good factions, making the heroes more of a counterweight than an exploitation.
The story for the Battle for Middle Earth’s campaign is the story of the Lord of the Rings, primarily as told by Peter Jackson’s film trilogy. Players can come to this game and reasonably expect its story to be entertaining. Even knowing the ending is no spoiler since the outcome hinges on the player’s success in scripted mission such as the Siege of Minas Tirith or Sam’s liberation of Frodo at Cirith Ungol. While the game’s cinematic openings may promise a grander scale than the mission’s scripting and capacity can actually deliver players trekking through the Good campaign can expect massive battles and sieges where their hero units can shine against overwhelming numbers of orcs, Uruk-hai, and trolls. The Evil campaign is even more exciting to experience as the player challenges the established outcomes of the trilogy. EA admittedly had to take some creative licensing with missions like Mordor’s subjugation of Harad or Isengard’s assault on Edoras, but since the Evil campaign boils down to the forces of darkness winning the War of the Ring scenarios like these are logical conclusions.
All of the fantastic elements of Middle Earth make an appearance including Ents, giant eagles, the Army of the Dead, and even the Balrog. Battles between scripted missions generally play like skirmish battles which can lead to some repetitive experiences depending on how long the player wants to continue the campaign (the player can finish the campaign before all of Middle Earth is conquered). However each mission has a minor bonus objective unique to that region; they don’t need to be completed to win the region but completing the objective eases the player’s fight against their opponent. Once the player finishes a capstone scripted mission (Minas Tirith for Good and Osgiliath for Evil) towards the later half of the campaign all of southern Middle Earth is available for conquest by any of the armies the player previously used in earlier missions.
For its time Battle for Middle Earth was a graphically advanced game. There are few flashy explosions but the minutiae of the game is very well detailed. This does the story of the War of the Ring the service its due, but can lead to massive performance issues on a machine which runs closer to the minimum system requirements. Little of the gameplay experience is lost on lower graphics settings, but having to play in fear of a game ending crash is a worry that can always be done away with. As with most EA RTS games the multiplayer connection can be finicky during launch; dropping players for no apparent reason. Thankfully this is not a crippling side effect; it has no long lasting effects and is a fairly rare occurrence.
Playing through the campaigns for the Good and Evil teams pretty much encompasses the full single player experience. Eighteen scripted missions and over thirty regions to conquer make for hours upon hours of gameplay. Each faction’s full tech tree is available as the campaign progresses, with the power point special powers taking the longest to unlock. Available skirmish maps include all of the non-scripted missions (sadly, the Siege of Minas Tirith can only be replayed through saves and new campaigns). Supporting two to eight players with several different types player setups (some regions only have outposts for starting locations where others offer citadels).
The game’s AI is competent but not spectacular. It follows logical paths for the deployment of infantry, cavalry, siege units and such. However its use of powers is quite predictable and on anything below the hardest difficulty the AI’s penchant for expansion is little to none. As a flip side however this one of the few EA RTS games were the learning curve is more stable. Casual players may find even the normal AI to pose little challenge but the more relaxed pace allows players to level their heroes and unlock powers before the end game.
The Lord of the Rings: The Battle for Middle Earth is by far the most flavorful and thematic Lord of the Rings RTS to date with immaculate attention to detail and a very immersive and entertaining single player campaign. Fans of the trilogy, especially the movies, will enjoy the movie references and familiar scenes. RTS gamers may find the unique game elements confusing and perhaps boring, but like any good RTS game the heart of the experience is combat and here Battle for Middle Earth does not disappoint. For whatever reason the Battle for Middle Earth is not available for online download through any store; but even at full price this game is worth the purchase for any player, casual or skilled, who wants to run the battles of the War of the Ring.
Command & Conquer 3: Tiberium Wars
After the dissolution of Westwood Studios in 2003 the Real Time Strategy market experienced a general stagnation in productivity. Several companies continued to produce stand alone RTS titles and some spinoffs but suffered from a lack of stylistic direction as they attempted to formulate new templates of RTS gameplay separate from the Blizzard and Westwood formats. In this period gamers were introduced to a lot of different RTS mechanics and interfaces; yet none of them were able to compare with the genre setting giants of old until Electronic Arts introduced a new title in the Command & Conquer series: Command and Conquer 3: Tiberium Wars.
Command & Conquer 3 revived the long absent Command & Conquer series; bringing with it the familiar standards of the Westwood RTS format such as a central Construction Yard, refinery resource processing, and flashy explosive late game battles. Most skirmish battles, multi-player battles, and single player missions start the player off with little more than a construction yard from which the player must construct a base and army in order to crush their opponents. Base and army building follow the standard Westwood format with higher tier buildings unlocking more advanced units and abilities. Power plants are required in increasing numbers to maintain a growing base and base defenses are divided by their effectiveness against different unit types.
The series’ principle factions, GDI and Nod, return to continue their struggle over the eponymous resource tiberium and their differing views on its terramorphic properties. The game’s storyline picks up not long after the series’ previous title Command & Conquer Tiberian Sun and its expansion Firestorm. Reminiscent of previous C&C games players begin the campaign with a limited tech tree; benefiting from more units and abilities as the campaign progresses. Missions include the old RTS fares like escort missions, base defense, and territory control. Yet unlike older RTS titles Command & Conquer 3 spices up these familiar missions with more appropriate strategies and units; often taking the unique tactical situation of each mission as a chance to introduce the player to a new unit type. Stealth missions will utilize Snipers teams and Juggernaut artillery or Commandos and Stealth Tanks. A feature not unheard of but seriously underused in previous RTS games.
Support powers, available on the left hand side of the screen as the buildings required for them are built, make an appearance in the mainline C&C series for the first time. These powers require a certain amount of cash to be used and must recharge between uses; they also require a line of sight on their target. Some powers are more useful in a multiplayer setting against human players and, sadly, many rapidly become obsolete as the tech tree is unlocked. However many can be used to game changing effect and overall the support powers should be actively utilized; particularly in the single player campaign.
The single player campaign is undoubtedly C&C 3’s strongest feature. Following the vein established by earlier Westwood games the campaign for both factions follows a series of story-driven missions where the player completes a series of objectives, often gradually unlocked as the player progresses through the mission. New units and structures are made available each mission until the faction’s full arsenal is unlocked. The enemies each faction faces vary as the missions go by and some missions will involve the player facing off against two enemies. Unlike older titles which feature supposed ‘bitter enemies’ ignoring their differences to attack the player; in C&C 3 three way battles remain a constantly fluctuating contest between all three factions (some brief ceasefires do appear).
The Scrin, a new playable race that EA has introduced to the Tiberium series of C&C games, is an alien race based off of hints and plot elements from earlier titles in the Tiberium series. The Scrin are very dependent on tiberium and many of their strategies revolve around it; they also feature more heavily specialized units and a greater reliance on aircraft than other factions. Although their short, unlockable campaign provides only a brief glimpse at their faction history and story it still provides challenging missions and entertaining cinematics (all CGI however).
Live action cut scenes and cinematics reappear with renewed visual splendor. Each mission is interspersed with a live action briefing prefacing the situation the player will face in the upcoming mission and its relevance to the faction’s overall goal. The acting and dialogue could certainly be called campy but is far more enjoyable as the characters struggle with the increasingly complex situations the game’s plot thrusts them into. For what could be the first time in RTS history the characters actually sympathize with the player when real time situations turn grim. Settings come alive with numerous extras and improved background visuals. The only thing sadly missing are the old Westwood endgame videos; sadly few if any in-game units are seen in CGI animation. In a masterful move by EA the story of C&C 3 is concise enough that players need not have played the older C&C games to follow the story (although their enjoyment of the cutscenes is enhanced by familiarity with the series).
Following on the heels of EA’s last C&C title, Command & Conquer: Generals, C&C 3 features a very vivid display with heat waves, sonic pulses, and dust clouds all beautifully rendered alongside vibrant explosions and flying wreckage. While beautiful this does exact a heavy toll on graphics utilities and PCs with up to date graphics cards and drivers are recommended for anything beyond the barest visual experience when running C&C 3.
Skirmish mode varies little from previous C&C titles. Map options ranging from 2 to 8 players are available and players can set the amount of starting cash they begin with as well as special options like bonus crates and allowing superweapons. Although playing with a faction’s full tech tree is inevitably entertaining the game’s AI can be predictable and varies widely in its skill between difficulty levels making for a poor learning curve. EA mitigates this somewhat by allowing players to select archetypes for the AI personality such as Rusher or Turtler. Games also tend to be fast paced with the winner or loser often decided within the first ten minutes. While this is preferable for many gamers it does deprive anyone wishing to explore and enjoy a faction’s tech tree of more than a few opportunities to test strategies and units.
Multiplayer in C&C 3 is smooth and consistent. Sadly it suffers from the same flaws as the skirmish mode, namely predictable AI and a poor learning curve. However the large number of map options and quick gameplay fare far better in a multiplayer setting and combine with easy multiplayer setup to allow a large number of diverse games to be played in short order.
Newer gamers, particularly those familiar with RTS games but not with older C&C titles, might find C&C 3’s rehash of Westwood’s style dated and perhaps even simplistic. Fans of the C&C series will love this game and although EA’s touch has made subtle changes to the old Westwood formula the favorite elements of C&C, particularly its entertaining and immersive single player experience, return in new and vibrant glory. Command & Conquer 3 brings back all that was good about old school RTS gaming. Newer gamers will also enjoy C&C 3’s rich single player campaign. Anyone who is a fan of the RTS genre should find this title a refreshing rework of the old RTS giants and C&C 3 by far is the best RTS game to be produced in the late 2000s.
Warhammer: Mark of Chaos
Since Games Workshop released Warhammer: The Game of Fantasy Battles which began its Warhammer Fantasy tabletop line the Warhammer Fantasy setting has become a prominent and tragically underrepresented franchise in fantasy gaming. Its diverse army lists, refined combat model, and well-developed setting and narrative make Warhammer Fantasy the perfect playground for role-playing games, video games, and even movies if anyone would care to invest the effort.
All this is probably the most prominent reason why Black Hole Entertainment’s production Warhammer: Mark of Chaos deserves notice from the gaming community. Mark of Chaos is not the first tactical strategy computer game made for the Warhammer Fantasy setting but it is the first one to integrate tactical battles, strategic army management, and hero leveling elements on a level indicative of the table-top game’s detail and complexity.
Players familiar with Creative Assembly’s Total War series will recognize many gameplay elements in Mark of Chaos such as regiments of units, rather than single unit models; static battle maps, and combat elements like unit morale and obstructive terrain features. Mark of Chaos features a single player campaign where the player chooses to command either the Empire and Elves in a good aligned role or fight for evil as Chaos and the Skaven. The campaign is played out through a series of what essentially amount to scripted battles where the campaign’s iconic hero and the player’s ever growing army face various challenges such as rival hero units looking to dual or organized regiments defending a strategic location. Between battles the player may spend gold looted from their victories to upgrade the units in their army with better equipment and add-ons. As the campaign progresses additional elite and specialized units can be recruited into their army, although each battle has a maximum number of units that can be deployed forcing players to choose what strategy to adopt in the later game.
Battles are where the single player section of the campaign shines. Most of the units from each faction’s tabletop armies are present in the game and are very well adapted to their respective roles on the battlefield. Cannons are long ranged and effective but slow and vulnerable to enemy cavalry units. Monsters are equally powerful but prone to drawing enemy fire and can become unruly during combat. The user interface is fairly simple and straightforward ensuring players can rapidly move between regiments to issue orders. Traditional military roles are present in some form in each army with pikemen, archers (or musketeers), light infantry, and cavalry all available to balance out an armed force.
Sadly the campaign’s story does not equal the luster of the battlefield. Voice acting is fair, with most of the cut-scenes taking place ‘in-game’ using unit graphics. The story line itself is properly done, but rather predictable and for the most part unaffected by the player’s choices on the campaign map (except for a very entertaining choice point for the Chaos faction). The campaign for both factions is worth playing through and the developers were generous enough to allow the player to experience most of the game’s units over the course of the missions (with a tragically notable exception in the High Elf Dragon Prince). However once finished there is little to endear the game to further single player activity.
A skirmish mode, treated as a subset of multiplayer by the game, is available where the player can run single fixed battles. A small selection of maps is available with three battle types. Arena is a simple army vs army clash; Siege is similar to Arena with the objective switching to defending or conquering a fortified position, and Reinforcement where strategic points around the map can be captured to generate income that allows reinforcements to be called during the course of the battle. These modes allow the player to experience the well implemented army and unit designs, but a lackluster AI and absence of any driving narrative quickly become repetitive.
Multiplayer follows the same options as the skirmish mode. Up to 4 players can participate in a single battle. A preset number of points provides the basis for players to assemble their army with stronger units costing more points. As in the campaign each army is led by a hero unit with different powers, abilities, and focus such as army command, dueling, and personal combat. As the part of the game that most closely resembles its tabletop roots the multiplayer has the potential to be Mark of Chaos’ best aspect but unstable internet connections can quickly ruin any session and the game lacks diversity in its map choices, particularly for Siege and Reinforcement battles.
Warhammer: Mark of Chaos is a proper forerunner to what could have been and still could be a very entertaining series of games. Replay options are low and it features few if any groundbreaking design elements, but what it does have, namely detail, an effective control interface, and entertaining combat are all things that great tactical and strategic level strategy games should strive for and the groundwork requirements for any game seeking to faithfully adapt the Warhammer Fantasy setting. The game is entertaining enough to warrant purchase and play-through.
After the announcement of Creative Assembly’s Total War: Warhammer it seems that Warhammer Fantasy strategy gaming is moving to a different medium but that doesn’t mean Creative Assembly and other developers can’t learn from what Mark of Chaos did right. Games like this need to be supported at least to show developers that Warhammer Fantasy can and should become a leading title in the fantasy section of RTS and Grand Strategy gaming genres.
Warlock: Master of the Arcane
By the time Paradox Interactive released one of its titles set in the Majesty universe game setting in 2012 the 4x genre was well established with the Civilization series and its latest iteration Civilization V serving as standard bearers. Warlock: Master of the Arcane takes many traditional elements made popular by these other titles and adds a strong fantasy combat aspect to it. Indeed, saying that Warlock is a ‘fantasy Civ V with more combat’ would be a pretty accurate summary of the game’s overall appearance and performance.
Warlock, despite its similarities, was not meant to be a Civ V clone but rather uses reliable mechanics of 4x play to facilitate its new concepts of fantasy adventure and conquest. Domestic management, particularly in the areas of ideology, policies, and great people are toned down or practically non-existent. The centrality and dynamics of military conquest takes a prominent, almost central role with each faction featuring its own unit and unique building roster and special Lord hero units appearing to add their considerable ability to a faction’s might. Spells also make a significant appearance, providing the only element that could be equated to technology as the spells must be researched before they can be used.
As with many 4x games the storyline is oriented around the characters that represent a faction’s leader, in this case the Great Mages. When selecting a Great Mage the player can view several paragraphs of biography and backstory. This ties into the in-game lore, accessible when clicking on the portraits of units, and to a lesser degree the narrator’s exposition when the player achieves victory. Aside from this there is little story to be found, with most of the in-world immersion coming from interaction with AI Great Mages and the exploring of the uncharted Ardanian landscape. While this does effectively limit the game to one mode in singleplayer and multiplayer this is not a major detriment to the enjoyment of Warlock. Just as in other 4x games the narrative is primarily crafted by the player. Players can even customize or create their own Great Mages by choosing a portrait, name, faction color, race, and starting spells or abilities.
Other prime elements of single player enjoyment stem from exploring Ardania and parallel worlds. With each new game resources, monster lairs, and neutral cities are randomly generated offering new challenges each time a new game is begun, ensuring that each race can be thoroughly tested before the process becomes routine. Sadly the AI is less lacking in staying power with limited diplomatic ability and generally simple (if sometimes effective) defensive tactics. The world’s monsters however form a vastly greater threat, particularly in pursuit of holy sites or rare resources in the parallel worlds.
Although multiplayer doesn’t exactly bring anything fresh to the experience of Warlock (aside from the obvious benefit of another human) the game is fairly easy on internet requirements. It’s turn-based play is sadly limited to the active player, no simultaneous turns are present, but as a turn-based game with little in the way of In-between-turn processes the game experiences little variance in bandwidth requirement. Unfortunately random crashes can be more common than one would like and frequent saves are recommended. Several patches have ensured that primary functionality are maintained so simply playing the game is unlikely to induce an error, yet with the release of Warlock 2 further multiplayer support is not to be expected.
Warlock: Master of the Arcane for all its flaws is a masterful first step in what could become a very entertaining and endearing series. Warlock 2 (which will be discussed later) follows in its steps with many improvements and gives great credit to everything Warlock served as a proving grounds to develop. Warlock’s games are lively, humorous, and for the most part fairly prompt with a fair amount of customization options for players to explore. Any 4x player, skilled or casual, who wanted to see fantasy and more combat in their Civilization games will be more than satisfied with what Warlock: Master of the Arcane has to offer.
Age of Empires II: The Age of Kings
The Age of Empires series, originally developed by Ensemble Studios and later published by Microsoft Game Studios after Microsoft acquired Ensemble Studios in 2001, was a relatively late comer to the RTS genre. Yet it quickly became a hit for the industry and would go on to establish an impressive and iconic legacy in the gaming community.
Age of Empires II: The Age of Kings follows its predecessor Age of Empires as a period development and expansion game. Players take one of thirteen civilizations (eighteen with the Age of Empires II: The Conquerors Expansion) from Dark Age hunter gatherers through three following ages of technology into the Imperial Age where they deploy highly advanced armored cavalry, heavy infantry, and siege equipment to destroy all who oppose them.
Players start with the central Town Center, a universal drop off point for resources and the only building that can train the resource gathering villagers and research the advancement tech to a new age. Villagers collect four types of resources (food, wood, gold, and stone) which are scattered around the map. Since these nodes are not always near the Town Center villagers may construct repositories like Lumber Camps and Mills to shorten collection time.
Villagers also construct all of the game’s buildings and remain valuable, and oh so vulnerable, through the game. Several military buildings serve as training sites for the games different types of combat units (Barracks for infantry, Archery Range for all ranged soldiers) and a single Dock building serves as the production center and resource drop point for all naval related activities. Research buildings like the Blacksmith and University develop technology to improve and refine the civilization’s military and economic capacity. More advanced buildings are unlocked as the player advances through the ages of technology, for example all of the resource collection buildings are available in the Dark Age but the mighty Castle can’t be constructed until the player’s civilization reaches the eponymous Castle Age.
The Castle is the only building which, despite having generic architecture, is unique to the civilization. It cannot be converted by Monks (the game’s healer unit and the only unit that can ‘capture’ enemy units and sometimes buildings) and produces the civilization’s unique unit (and with The Conquerors their unique tech). The Castle is also a powerful defensive building and provides several strong generic technologies and units.
Overall unit design in Age of Empires II is generic. Units are divided into the five categories of Infantry, Archers, Cavalry, Siege Weapons, and Naval units. Each individual unit has a set of statistics for its hit points, attack, and armor. Players accustomed to the unique faction skins of Command & Conquer or Starcraft may find the presentation a bit bland; but it is this generic approach to development that make civilization bonuses and unique units more applicable. For example the Frankish Throwing Axeman unique unit has a ranged attack but is classified as an infantry unit allowing it to defy other aspects of the game (such as ignoring the bonuses of counter-archer Skirmisher units).
Age of Empires II is nothing if not a historically based game. All of the civilizations, units, and even campaigns are designed after historical models. Five campaigns are available in which the player controls a single civilization through five missions that follow a historical figure during the pivotal events of their life (like Joan of Arc’s battles against the English and Genghis Khan’s uniting of the mongol tribes and subsequent conquest of Asia). Each mission is heavily scripted and expansive providing hours of game play. Several different skirmish modes against AI opponents with five difficulty levels are available and Age of Empires II also includes a scenario editor allowing players to duplicate the tools used in making the campaigns to develop their own scenarios and even campaigns.
The scenario editor is perhaps Age of Empire II’s greatest asset for replayability. With The Conqueror’s adding three new campaigns and several single mission historical battles the single player modes can provide at least forty hours of game play but restrict the player on available civilizations (many civilizations are never playable in the campaigns). Difficulty and victory conditions can be adjusted in Skirmish mode but the AI remains generally predictable and its competency tends to degrade as games run on. The scenario editor makes Age of Empires II the player’s sandbox and while primitive by modern standards is more than enough to flesh out the Age of Empires experience to the max.
Multiplayer is a very intriguing aspect of the game and one of the reasons Age of Empires II has remained popular over the decades. Multiplayer uses the same settings and victory types of the skirmish mode (scenarios can also be used if the scenario supports the right number of players) but the rest is up to the players. Using Siege Onagors to make a back door into an enemy’s base through the woods is a tactic the AI would never use and is legendary for its effectiveness.
Sadly multiplayer is touchy in Age of Empires II. Movement in the game is rapid and a relatively strong internet connection is required for all parties involved. Game crashes, while rare, are also a danger and can lead to a half hour of downtime. Players living in areas of limited connectivity will find Age of Empires II to be more valuable for its single player elements.
The release of the Age of Empires II: HD Edition on Steam has revitalized the game’s relevance to the modern gaming community. Now, anyone who expects the HD Edition to be an updated remake of the original will be sorely disappointed. The HD Edition is not a remake, it adapts the game’s graphics to be compatible with high resolution displays and makes the game acceptable on newer operating systems. The HD Edition also includes The Conquerors expansion and all of the original game’s modes and content. Mod support has also been added through the Steam Workshop and a new expansion from Microsoft, The Forgotten, has added four new playable civilizations and campaigns. This expansion, while officially published, is based off the community mod Forgotten Empires and features a noticeably unique style. With the HD Edition players familiar with the Age of Empires series can now enjoy what is quite easily the best of this classic series and hope for continued expansion and improvement in the future.
XCOM: Enemy Unknown
When I first experienced Firaxis Games’ and 2K Games’ XCOM: Enemy Unknown, the original UFO: Enemy Unknown, developed by Mythos Games and MicroProse and marketed as X-COM: Enemy Unknown, had already existed for nearly a decade and established itself and the resulting series of X-COM games as favorites of the turn-based and tactical strategy genres. Within a few years the game had become a cult classic and would continue to be a major influence to tactical strategy, adventure, and turn based games for the next decade. Thus its fair to say that XCOM: Enemy Unknown, as a reboot to the original UFO: Enemy Unknown, has an impressive legacy to uphold.
XCOM: Enemy Unknown puts its players in the role of the Commander of the XCOM initiative, a secret organization formed by a council of select nations to combat a new and mysterious alien menace that has begun abducting people around the globe. Gameplay is divided into two parts; the player commands individual soldiers in turn based tactical combat as they go on missions to stop alien abductions, investigate crashed UFOs, and save civilians from terror attacks. The second part of the game involves managing and upgrading the XCOM Headquarters, an underground base that the player views via a cross section type display and features the barracks, research lab, engineering department, and other areas where the player’s soldiers and resources can be managed and upgraded.
Single player is the heart of the XCOM experience. The principle plot of XCOM: Enemy Unknown follows its predecessor: a previously unknown extraterrestrial enemy has started abducting citizens from cities around the globe. The XCOM Initiative is an attempt by most of the worlds advanced nations to combat this threat. It could be said that the base plot of the game is not highly original; however it’s in the execution of this plot throughout the game that the story becomes intriguing. The aliens are expertly portrayed as an advanced and unpredictable threat, with the player having no sure way to predict where they will strike next or in what form. As the months of in-game time pass new types of missions appear and new alien species are added to the enemy’s growing arsenal.
Following a famous trend set by earlier X-COM titles the player is ‘invited’ to become attached to soldiers in their squad. Each soldier the player recruits starts with a random appearance (which the player can customize), nationality, and gender. As these soldiers advance in rank they gain a specialized class which defines the abilities the player can use to upgrade their combat performance. The soldiers can even be renamed, allowing the player to follow in the X-COM tradition of naming and designing soldiers to resemble friends and acquaintances.
There are few characters with actual identities and they play a supporting role for the player (none of them appear in combat missions). They advise the player on new developments, serve as voice assistants, and provide a conduit for the advancement of the single player story line before and after each scripted mission. The missions, aside from a few scripted missions that serve as boss encounters to advance the main objective, are also randomly generated based on what type of mission is currently in progress. The terrain is chosen from a series of pre-built levels and enemies are seeded on the map (although as the game progresses higher level enemies become more frequent).
XCOM is at its heart a single player game. It’s multiplayer aspect consists of matches similar in design to single player missions in which players are pitted against each other after selecting a team of XCOM soldiers, alien troops, or a mixture of both based on a purchasing system that is set by the match host. Combat in XCOM is turn-based, an element that is far more forgiving on lower bandwidth connections. Sadly no multiplayer aspect exists for the campaign mode with no possibilities for such an improvement in the foreseeable future.
XCOM’s lack of a heavily plot-driven campaign makes replayability a far more entertaining aspect of the single player mode. The many randomly generated aspects of the game ensure a wide degree of fresh experiences; the player can select additional features for single player to add random effects for their soldiers and special missions or increase the difficulty. The end game remains the same but the bulk of the game remains unpredictable and, depending on the player’s preferences, quite challenging.
The release of a dedicated expansion, XCOM: Enemy Within, increases replay options substantially. New sub-plot missions and enemies are added as well as additional upgrades and features for XCOM soldiers, including a new class of soldier, the powerful Mec Trooper, through the appearance of a new type of collectible resource called Meld, which the player must gather from the enemy during missions. Once again the endgame remains the same, which depending on the difficulty selected can feel a bit anti-climatic but overall has little negative effect on the experience.
XCOM: Enemy Unknown has many aspects which old fans of the series will recognize and enjoy. New players may find the wealth of different aspects overwhelming at first, but the game features a tutorial integrated into the campaign and very forgiving game play on lower difficulty levels. Also a single failed mission does not spell defeat for the player and a degree of sacrifice is to be expected throughout the campaign. Once familiar with the game’s aspects turn-based tactics fans of all skill levels should enjoy this remake of a venerable, time-tested series.
Age of Wonders III
After a healthy experience of the Eternal Lords expansion to Triumph Studio’s latest title in its Age of Wonders series it seemed like a good time to mention recent 4x contender Age of Wonders III. The Age of Wonders series has brought up 4x fans since 1999 and features many traditional elements of 4x play such as turn based strategic and tactical modes, city building and management, and multiple resource requirements such as gold, production, and research.
Faction design in Age of Wonders III takes two intertwined forms. Players must choose a class from six choices (seven with the latest expansion, Eternal Lords) and a race, of which there are a total of nine with all the expansions included. Each race comes with a set of generic units as well as strengths and weaknesses in their economics and unit abilities. Player classes determine what the player’s faction leader class is as well as what spells, technological upgrades, and specialist units are available. Any combination of race and class is allowed and part of a successful strategy is determining which class and race best combine to fit a player’s style.
Leaders are chosen at the beginning of a random game or scenario (and preselected in the campaigns). Players can also create custom leaders, allowing them to customize the leader’s appearance, starting preference, and adept and mastery spell skills. All adept skills are available at the beginning and mastery skills can be chosen once the corresponding adept skill is selected. A leader can have a maximum of three skill selections and does not need to choose a mastery. Skills contain a set of spells that correspond to their type (Air, Earth, Fire, and Water originally with several more added in the expansions) and are useful in supplementing racial and class strategies.
Notably among most 4x games Age of Wonders III focuses heavily on combat. Players will quickly learn that two moderately prosperous cities are superior to one large, wealthy city. Thus the ability to conquer new cities and protect existing ones is paramount to success. Triumph Studios put a lot of effort into the detail of class and unit designs and perhaps the most strategically critical and unpredictable part of the game is the tactical combat mode. Racial and class units all have their own strengths and weaknesses and most classes are not necessarily all encompassing. The Rogue class for example has a wide range of stealth and support units and is very flexible in most combat environments. However the Rogue class is the only class which lacks a Tier IV unit (the highest unit tier) and can be swiftly overwhelmed by more martially focuses classes.
Combat is certainly the prominent feature in the single player story mode. Players can choose between two campaigns, with each campaign following a faction on one side of a global war for racial and ideological supremacy. Each mission in the campaign begins with a pre-chosen leader and a small army. A settler is usually included, although in roughly one third of the missions the player must conquer a nearby neutral city to begin building their economy. Several types of objectives like recovery or conquest appear throughout the campaign but the usual formula for victory involves keeping your leader and hero units alive while eliminating the AI factions.
While this is a fairly common approach to campaign development in 4x games it tends to lend a fairly abstract difficulty curve to the campaign. Oftentimes the player is simply dropped into fog of war with no ability to sustain an army no indication on the best route of exploration to take; all while the AI opponents are building up their forces and claiming treasure sites. Additionally the requirement to keep certain heroes alive, while certainly flavorful and effective at giving the leaders importance, discourages the player from using that leader unit in all but the safest and most secure combat encounters. It can be a frustrating feature in a game where just one wrong move or a lucky shot can turn a battle.
The Random Map and Scenario part of the single player experience has much more potential and opens up the full race, class, and leader customization options. Scenarios are single, pre-build maps with pre-selected leaders and races for the player to choose from. Each scenario has a storyline governing its setup but once the game begins it functions more like a Random Map with the players free to develop their chosen factions as they please.
Random Maps are blank slate single and multi-player maps for 2-8 players. At setup the player or host can adjust such features as the percentage of different terrain types, the number of monster lairs and treasure sites, if there is an underground level to the map, and other options. Players can start with anything from their leader with a small army and settler to a large army and a metropolis level city.
The standard AI, while certainly an able opponent, tends to be more frustrating than dangerous. Players can usually spot an AI’s advancing army through effective use of watchtowers and/or flying scouts; yet its complete awareness of the map means it can always find any vulnerable or unguarded cities. The AI will target wounded and valuable units in combat even if it puts its own forces in danger. It also behooves new players in Random Map games to leave the hero resurgence option checked when generating the map as the AI is fond of attacking leader and hero units.
Most 4x fans will enjoy the familiar genre elements in Age of Wonders III. However those players accustomed to styles emphasizing economic or diplomacy victories may find Age of Wonders III underdeveloped in those areas. However strategic and tactical combat elements are among the most detailed for a 4x game in the diverse number of units, abilities, and options available to the player. Players seeking familiar 4x play with a strong fantasy setting will not be disappointed in the latest of the Age of Wonders series.
Age of Mythology: Extended Edition
When Age of Mythology and its expansion pack The Titans first came out in the early 2000s I was sure that Real Time Strategy games had entered an era of improvement and advancement. Microsoft Game Studios had already delivered the stellar Age of Empires series and built an impeccable track record from which to pioneer new developments in strategy gaming. Now, with the release of Age of Mythology: Extended Edition on Steam, I look back at the old style graphics and gameplay and realize that Age of Mythology was not so much a precursor of things to come as it was a development studio experimenting with new concepts as it prepared to embrace the new millennium.
Age of Mythology brought the myths of antiquity to the RTS genre. Now players could command the heroes of Greek myth as they opposed legendary monsters like Minotaurs and Cyclops or marched alongside ranks of hoplites to fend off Viking raiders and their Giant allies or conquer Egypt with its incarnate demigods and mummified pharaohs. Microsoft Game Studio’s superb attention to historical detail exhibited in Age of Empires II returns here with lore for each unit as well as an amazing variety of obscure mythical creatures to populate each of the four playable civilizations’ unit rosters.
Made back in the era when multiplayer and LAN was still coming into its own; Age of Mythology features a very well developed single player story mode. The campaign guides the player through an ever expanding storyline with separate sections focusing on Egyptian, Greek, and Norse mythology. Alongside an engaging story and a very diverse set of challenging missions the campaign also gives players a full experience of the game’s content; familiarizing players with the differences among the civilizations and showcasing the different units and god powers. The campaign isn’t perfect; Age of Mythology abandons the traditional method of specially scripted and constructed cut scenes and uses its own in-game graphics to animate the characters and events. The voice acting is marginal and those characters that aren’t mythically based are rarely sympathetic and often annoying. Occasional touches of humor alleviate the disappointment to some degree.
The wide variety of information inherit in the unique civilizations can feel overwhelming if taken all at once and the single player campaign, while long, is easily the best resource for becoming familiar with the variations among and within the different civilizations; and there are many. Players familiar with Age of Empires III will recognize precursor elements in the choice between minor gods that represent advancements to higher ages. Each civilization has nine minor gods to choose from, with three major gods dictating which minor gods are available. Once a major god is chosen, the minor god choices come in pairs with each minor god offering a myth unit, god power, and set of unique technologies upon reaching the next age of development.
The game doesn’t start with the myths either. Mundane workers and soldiers are different for each faction with the Greeks taking the traditional approach of infantry, cavalry, and archers supported by a multi-tasking villager. The Egyptians on the other hand, while still using simple laborers, must empower their resource and production buildings with their unique Pharaoh hero to increase their productivity and efficiency. Egyptians military units are also more specialized, with each unit designed to counter another type; unless you construct the mighty war elephants which are effective against anything smaller than them. The Norse throw an even bigger variation by having their soldiers construct all their buildings. Dwarf units serve as specialized gold miners and Ox Carts are mobile drop off points following the gatherers and dwarfs to each new resource node.
The differences among civilizations make for a very interesting multi-player experience. As with all of the older RTS titles Age of Mythology’s core concepts remain the same such as base building, resource managements, and large scale unit combat. Once the unique aspects of each civilization enter play things become much more interesting. Different combinations of minor gods keep each civilization fresh and observing the variations in each civilization’s economic system can lead to unusual strategies; particularly where Favor is concerned. Favor is the new resource that allows the production of myth units, the monsters that make heroes what they are. Each faction gains favor in different ways; the Egyptians construct increasingly large monuments while the Greeks need only assign villagers to pray at their temple. The Norse must engage in combat with their foes, with hero units gaining more favor than myth units.
Modern RTS players may find Age of Mythology’s dated graphics, somewhat simple AI, and more varied civilization design primitive compared to more recent RTS titles. Multiplayer matches can be routine, especially against weaker AIs, but players willing to invest the time in learning the finer parts of each civilization will find many new challenges to oppose other players. It should be remembered that Age of Mythology: Extended Edition is a remake not a sequel. Players who enjoyed Age of Mythology in its early days will find all their nostalgia return for the modern PC. Newer players may question the game’s novelty but some patience and a little enthusiasm are all that’s needed to find one of the finer titles in RTS history.
Supreme Commander
Those of us who remember playing Total Annihilation recall what was easily one of the most unique Real Time Strategy experiences in digital gaming history. Total Annihilation was an ambitious game with dynamic base building, expansive resource collection, a heavily detailed unit roster, and a physics simulator that was ahead of its time. It was the closest thing to war simulation that the technology of the 90s could bring.
Gas Powered Games, now formally Wargaming Seattle, made Supreme Commander to be the spiritual successor to Total Annihilation and in this they succeeded brilliantly. Supreme Commander continues to capture the epic scope of strategic warfare that Total Annihilation first envisioned. Hundreds of air, land, and naval units clash in small or large engagements in an attempt to assault bases defended by gun emplacements, artillery cannons, and shields. A large unit roster features scores of units encompassing nearly any conceivable combat role. Each of the game’s three factions utilize the same unit types, but subtle differences in design give each faction its own strengths and preferences in combat style.
Coming to grips with the staggering number of units and the different faction abilities is perhaps the chief purpose and accomplishment of Supreme Commander’s single player mode. Each faction’s campaign encompasses six separate missions with each mission progressing in stages of increasing difficulty and scope as the player completes objectives. Often the player has to start with little more than their Commander unit, a strong but critically important mech unit with tremendous construction capacity, with which they must construct a fortified base to begin driving back the enemy. Base building and map expansion can take several hours per mission leading to over twenty hours of gameplay in single player. This is a two-edged sword where Supreme Commander is concerned. The first half of the campaign limits the technology tiers, of which there are three plus the mighty Experimental units, that the player can access and thus the units available. This slow progression gives the player a chance to get familiar with units and structures as they become available. Yet the slow pace of each mission can leave players impatient for higher technology tiers.
Although the campaign’s scripted fortifications and unique terrain features can lead to impressive clashes it is in multiplayer and skirmish that the combat becomes truly dynamic. Forty different maps capable of supporting up to eight players offer a wide range of options for multiplayer and skirmish matches. Some of these maps are quite large and allow for multiple combined arms conflicts; while smaller maps make quick victories possible by forcing two or three player matches into close quarters. The game’s online performance is surprisingly lenient given the large numbers of units generally on the map making most matches seamless on a wide variety of speeds. However the enormous numbers of units that can appear with six or more players can lead to a general decrease in speed without higher end machines.
Supreme Commander’s skirmish mode is very well developed for a modern RTS. Four different levels of AI difficulty can be chosen and the AI’s personality can be further customized with options like Turtle or Rush causing the AI to focus on specific strategies and their appropriate unit types. While this can make the AI predictable it also makes a wide range of battles possible allowing players to determine what sort of war they are interested in fighting.
A special mention should be given to the game’s expansive zoom ability which allows players to move from up close unit examination to a map-encompassing eagle eye view. The system is perfect for managing battles on the scale that Supreme Commander delivers and is meticulously designed for easy control and management. The only tragic aspect of this system is that when the action heats up players tend to spend more time gazing down on a world of dim terrain features and unit markers instead of watching the colorful explosions and dramatic unit destruction.
Supreme Commander is the success story that Total Annihilation deserved to have in the modern gaming community. With an expansive single player aspect and high potential and reliability in multiplayer it caters to any level of RTS preference. The game features a rather high management learning curve for new gamers but its single player campaign and skirmish customization options allow players to become accustomed to the game at their own pace. Supreme Commander isn’t perfect and suffers from unit-pathing issues, particularly among naval units, as well as a weakness for large slow operations. Yet it is a welcome addition to the modern RTS community and a necessary experience for any dedicated RTS player.